My work is broadly concerned with national identities and the role landscape and rural communities plays in their formation. Photography, research, 3D printing and artifacts are used to document the ambiguity of preconceived ideas versus the expectation of the viewer. I am primarily interested in the construction of cultural heritage, the physicality of imaged communities and its semiotics. I aim at creating a space in which the viewer is forced to re-examine his position concerning a phenomenon or concept.




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